The human voice box is located in our throats and therefore, close to the mouth. Birds, on the other hand, have their vocal organ situated in the body. For this reason, birds' vocal organ is affected by two airflows, as opposed to just one as in humans. Muscles that open and close the airways on both sides of the organ control the beginning and end points of the vocal system.
In humans, vocal sounds are produced by the flow of air from the lungs. The lungs propel air towards the voice box, and the air passing through the vocal cords there produces sounds that, in turn, are transformed into speech by means of the bronchia, the tongue, the teeth, the nasal cavity and the sinuses.
The two-branched syrinx, located deep in the breast of a bird, is situated where the two bronchia divide in the windpipe. In this complex system, the vocal organ's muscles and inner membranes affect the production of mid-tones. By contraction of the pectoral and stomach muscles, air is directed from the air sacs to the bronchia and the syrinx, where the air molecules vibrate as they pass through narrow passages. Vibrations of the tympana membrane also affect the frequency of the sound. The pressure of the air sacs in the clavicle in turn affects the tympana membrane. The syrinx muscles also affect the flow of air and consequently, the quality of sound.
Within the bird's breast, its vocal organ is like a branched instrument, located at where its voice box meets the two bronchial tubes. As shown on the adjacent page, one branch of the syrinx opens into one bronchus and the second branch into the other; and either one of these two bronchi can produce sound. Some birds can use either both sides of their voice organ simultaneously, or one of the two independently and, by this means, can produce two separate tones of the same frequency, at the same time. They can sing a high note with one side, while producing a low note with the other. And since the bird's vocal organ is situated at the juncture of the two bronchial tubes, it can produce sound from two different sources. This even allows the bird to produce two different notes simultaneously, and even to sing a duet with itself. To a great extent, sounds produced here are subsequently combined, giving birds the potential of creating rich melodies. While humans use only about 2% of the air they inhale to produce sound, birds have the ability to use it all. 6
1.Dil, 2. Nefes Borusu, 3. Kemikleşmiş halkalar, 4.Nefes Borusu, 5. Östaki borusuna ait kaslar, 6. Nefes borusuna ve bronşlara ait kaslar, 7. Syrinx, 8. Ara bronşlar
The physical structures used in human speech—voice box, vocal chords, tongue, lips, palate and teeth are completely different from the structures in birds, and some are completely absent. Even though talking birds do not possess these structures, they are able to produce words and expressions used by humans, and with the same intonation.
The syrinx is located in a pouch within the clavicle below the bird's throat. The membrane covering this pouch is sensitive to the air coming from the lungs, and its elasticity and complexity of the membrane are factors that determine the quality of sounds. The sound quality is also affected by the length of the windpipe, the constriction of the voice box, the neck muscles, structure of the beak, and their respective movements. In short, the complexity of the birds' syrinx determines the complexity of the sounds they produce. Its muscles affect the air flow and consequently, the quality of the sound. In parrots, budgerigars, and some songbirds, the syrinx has a greater number of muscles, and its structure is more complex.
Furthermore, the different techniques that parrots and budgerigars employ for imitating the human voice are most effective. Like humans, parrots have thick tongues that enable them to produce sounds resembling ours. Sound is produced by blowing air through two separate places in their syrinx, and at the same time producing the independent sounds required to produce consonants. The initial sound from the syrinx is shaped with the help of the throat, and then in the mouth with the tongue. In their research studies with grey parrots, Dianne Patterson and Irene Pepperberg reached important conclusions on vowel production: Due to the radically different anatomy of this parrot’s vocal organ, even though they lack teeth and lips, they can produce sounds that closely resemble sounds produced by humans. 7 Indeed, parrots and budgerigars can quite clearly imitate sounds such as “m” and “b,” which we normally produce with the help of our lips.
Budgerigars, however, due to their small size, are not able to use the same technique as parrots. Using their syrinx to create frequencies from 2,000 to 3,000 Hz, they then add on a second vibration. This system is known as frequency modulation or FM, the principle behind the AM (amplitude modulation) radios to be found in practically every home. These days, many FM broadcasting stations add low transmitters to their signals which, in common with normal signals, are adjustable through a transmitter, but are of a very high frequency. While the frequency of normal signals varies from 20 to 20,000 Hz, the frequency of many low transmitters starts at 56,000 Hz. The main reason for using the FM system is to offset the major disadvantage of the AM system—namely, the interference of many natural or man-made radio sounds, called "parasites." Because the weak signals of AM radio are quieter than the stronger ones, differences in signal level are formed, which are then perceived as noise. AM receivers have no facility for cutting out these parasitic sounds.
To solve this problem, Edwin H. Armstrong invented a system for eliminating noise caused by the power of the waves. Instead of changing the transmission signal or the strength of the transmitter, he changed the frequency of sound waves per second. Thanks to this system, the amplitude of noise (strength of sound waves) could be reduced to a minimum. But scientists are still mystified how budgerigars manage to use this same system.
Of course, no little budgerigar can possibly work out for itself from the time it is hatched how to apply a series of principles discovered by man only after long trials. In the same way, no parrot can know that it must produce auxiliary sounds in order to make consonants distinct or to develop systems in its throat to enable it to do so. Also, it's not possible for such a system to be the end product of a series of blind coincidences. All these complex systems we have seen are without doubt, the work of God, the Creator.
For birds to display their talents in communicating by sound, song and in the case of some birds, words, they require excellent hearing. At critical times in their lives, their sense of hearing becomes particularly important. Experiments have shown that in order for birds to learn their species’ song, they need an auditory feedback system. Thanks to this system, young birds learn to compare the sounds they produce themselves with the patterns of a song they have memorized. If they were deaf, it wouldn’t normally be possible for them to sing recognizable songs. 8
Birds' ears are well equipped for hearing, but they hear in a different way from us. For them to recognize a tune, they have to hear it in always the same octave (a series of seven notes), whereas we can recognize a tune even if we hear it in a different octave. Birds cannot, but can instead recognize timbre—a fundamental note combined with harmonies. The ability to recognize timbre and harmonic variations lets birds hear and reply to many diverse sounds, and sometimes even reproduce them.
Birds can also hear shorter notes than we can. Humans process sounds in bytes in about 1/20th of a second 9, whereas birds can distinguish these sounds in 1/200th of a second, which means that birds are superior at separating sounds that arrive in very rapid succession. 10In other words, a bird’s capacity to perceive sound is approximately ten times greater, and in every note heard by a human, it can hear ten.11Moreover, some birds are also able to hear lower sounds than we are. Their hearing sensitivity is so finely tuned that they can even tell the difference between pieces by such famous composers as Bach and Stravinsky.
Birds’ extremely sensitive hearing functions perfectly. Clearly, each of this sense’s components is created by special design, for if any one failed to work properly, the bird would not be able to hear anything. This point also disproves the theory that hearing evolved or emerged gradually, as a result of coincidental influences.